ARTISTS M.A.H.A.S
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Scarlett Rouge’s artworks offer a captivating exploration of the profound mysteries of existence, inviting us to contemplate the infinite depths of the cosmos and the universe’s capacity for self-reflection. Her artwork also exposes the damaging impact of human activities on our planet, particularly the looming threat of global warming.
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Through his art, Alexander Carey Morgan prompts us to reflect on our place in the grand scheme of things, contemplate the enduring legacy of our ancestors, and explore the mysteries hidden in the depths of human history. His work serves as a bridge that connects us to the past and prompts us to journey across the threshold of time.
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William Guillon is displaying unique handsculpted white casted bronze pieces from his OMNIA VANITAS series. This series explores themes of the impermanence of all things and the emptiness of existence. Guillon’s collection of accessories, called Vanities, prompts us to reflect on our relationship with material possessions and the impact we have on the environment. Through his art, Guillon encourages us to contemplate our place in the world and the legacy we leave behind
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Muriel Nisse’s exhibit showcases a diverse collection of handmade, modern masks. The masks draw upon various ethnic influences and ritualistic traditions, resulting in a unique biomorphic style. The incorporation of natural elements such as hair and textiles further enhances the masks’ distinctiveness and adds an organic feel to the pieces..
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Tania Wells’ exhibitis an artwork from her ‘Chaosmos’ series, which delves into the correlation between the micro and macrocosm and their interconnectedness, transcending the boundaries of life and death. The series challenges the limitations of our imagination, which are often confined by our perception of space and time.
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La Fabrique Noire’s artwork “Resilience 02” speaks to the profound philosophical question of how the earth endures the tumultuous impacts inflicted by humanity. With a delicate balance, the artwork features a marble bowl on top of the object, symbolizing the earth’s capacity to contain and bear the brunt of human actions. However, the presence of fissures on the surface of the bowl reminds us that this balance is fragile, and the earth’s resilience cannot be taken for granted. The artwork invites us to reflect on our responsibility as stewards of this delicate balance.
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Melanie Ashton’s artistic creations draw inspiration from the worlds that are often glimpsed but seldom “seen,” such as death and transformation, the untamed forests and solitary moors, sorcery, and mythology. Her work laments the gradual loss of our wild essence within and the dwindling natural wilderness around us. However, even amidst the delicately feral qualities of her work, there is a glimmer of hope for the wild’s eventual return, cautiously optimistic in its expression.
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The series of 3 sculptures being exhibited by Elisabetta Caizzi Marini is based on the idea of presenting a choice to the viewer. By revealing aspects of nature, the observer is challenged to make a decision - to either embrace the contemporary state of war and pain, which stems from the most primitive origins and follows the Hegelian view of history, or to transcend this condition.
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Niclas Wolf presents a piece of the series Geoprimitiv. This series draws comparisons between the Precambrian era and the Anthropocene era. This series showcases distinctive tectonic sculptures made of a newly-developed, specialized clay. With unique thermic properties, even in extreme atmospheric conditions, each sculpture reflects the inherent structure of the artwork and conforms to the laws of statics and self-assembly. Every object is entirely unique.
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“Golden Hour” is Ava Copp’s initial work in multimedia art, where connections between creators flow like the mycorrhizal network found in the forests of Lions Bay. The artist showcases a chandelier, a distinctive piece from her collection, crafted from bras, burned wood, and porcelain, creating novel art from materials that draw their elegance from their humble origins.
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